First thing you have
to know about 12 Years A Slave is that it is a film about slavery.
Secondly, it is nothing like its predecessors. It is based on a book
by Solomon Northup, a free black musician from
New York who was kidnapped, shipped to the South and sold to the
owner of a Louisiana plantation in 1841. And this is exactly what
makes this story so outstanding and shockingly truthful. The main
difference is actually a chance for a viewer to relate to the
protagonist. Imagine a free man, a family man whose life is just
like any other. He is well-mannered, sophisticated and respected.
Then one morning he wakes up in chains. The life he is used to is far
behind, the new one holds nothing but never-ending suffering.
Steve
McQueen has done a magnificent work here on every level. For now, I
would particularly like to point out how colour is tremendously
significant in this film. For instance, when Solomon finds himself in
a cell, there is only one source of light provided by the small
barred
prison window, and we share his confusion having seen soft and warm
candlelight at the fancy restraunt where he dined.
The
nature which is apparently only a background for action in such films
here reinforces a contrast between a beautiful world, full of hope
and all the injustice and pain. You literally can't stop admiring it.
The grass is ever so green, the sun is always shining, the camera is
constantly moving giving them all a proper credit. In fact, there is
one jaw-dropping, ethereally beautiful sunset that made me hold my
breath. 12
Years A Slave is a painting – artful, complex and ruthless in
exposing people's vices.
Steve McQueen on the set of 12 YEARS A SLAVE |
McQueen
continues the tradition of extended shots directing his third act.
Here he forces an audience into looking at something they may not be
comfortable with and stay there for quite a long time. Although this
technique is rather tricky to use, in this case it works out
perfectly giving us a break from 1-2 seconds shots in mainstream
Hollywood cinema as well as challenging us with more drama. He is not
too cautious with the raw material letting the story flow from one
part to another.
However, 12 Years A Slave is not easy to watch. Some
parts of it are actually brutal, appalling and emotionally
devastating because they tell a shaming, sugar-free truth.
It
is superbly acted by a bunch of extraordinary actors: Chiwetel
Ejiofor, Michael K. Williams,Benedict Cumberbatch, Michael
Fassbender, Brad Pitt and Lupita
Nyong'o. Each of them was great and more importantly, they formed a
marvellous ensemble. Chiwetel
Ejiofor's (Solomon Northup) acting in 12 Years A Slave was one of the
most brilliant performances I have seen in my life. He is present,
horrifyingly convincing and able to make you forget about where you
are and step into the film itself. His story is soul-crushing but it
is also very powerful, simply incredible. I dare say, you will
surely get you to that point where you can't just go home and keep
doing whatever it is you are doing in this time of the day.
I
intended this review as spoiler free, so I will only mention that
Benedict Cumberbatch's Mr.Ford repels me even though he might seem
one of the pleasant white people there. And yes, his part was
shamefully small, but he has managed to portray his rather equivocal
character wonderfully.
If
talk about Brad Pitt whose part is even smaller, he just nails it. He
is an A-list actor and he proves he is worth it every single time.
Main
female part played by Lupita
Nyong'o (Patsey) is going to be really memorable too. It is her debut in British film as a Kenyan actress and she has a very bright
future in front of her, mark my words. I do not want to describe
what Michael
Fassbender was like this time because you has to watch it with your
own eyes. He is going to be the one who quotes the Bible and claims
he has got the right to treat live people like his property from God
himself and you are going to be really properly scared.
In short, 12 Years A Slave is essential movie going: smart and well thought-out narrative cinema rather than action-packed, sloppy cash-cow. I shall be quite disappointed if it does not get an Oscar, honestly. Still, there has been a Golden Globe, so maybe I should not give up hope.
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